Autore	Dezeuze Anna
Pubbl/distr/stampa	Manchester : , : Manchester University Press, , 2017
Descrizione fisica	1 online resource : illustrations (black and white)
Disciplina	700.411
Collana	Rethinking art's histories
Soggetto topico	Unsicherheit Kunst Art, Modern Conceptual art Art, Modern - 21st century Art, Modern - 20th century
Soggetto genere / forma	Electronic books.
ISBN	1-5261-2071-2 1-5261-2349-5
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Introduction : almost nothing -- Junk aesthetics in a throwaway age -- 'At the point of imperceptibility' -- 'Good-for-nothing' -- Joins in the age of 'liquid modernity' -- Futility and precarity -- Postscript : on the humanism of precarious works.
Record Nr.	UNINA-9910480417003321

Autore	Hieber Lutz
Edizione	[1st ed.]
Pubbl/distr/stampa	Bielefeld, : transcript Verlag, 2015
Descrizione fisica	1 online resource (254)
Disciplina	700.411
Collana	Sozialtheorie
Soggetto topico	Künstlerische Avantgarden; Postmoderne; USA; Soziale Bewegungen; Queer Theory; Dadaismus; Surrealismus; Walter Benjamin; Kunst; Amerika; Politik; Kunstsoziologie; Kunstgeschichte; Kultursoziologie; Kulturgeschichte; Soziologie; Social Movements; Arts; America; Politics; Sociology of Art; Art History; Sociology of Culture; Cultural History; Sociology
Soggetto non controllato	America Art History Arts Cultural History Politics Queer Theory Sociology of Art Sociology of Culture Sociology
ISBN	3-8394-1167-X
Classificazione	AP 15000
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	ger
Nota di contenuto	Frontmatter 1 INHALT 5 Grundriss einer Theorie des künstlerischen Aktivismus von Dada bis zur Postmoderne 7 Über »revolutionäre Gebrauchswerte« und eine Politisierung des Bildverstehens. Walter Benjamins Blick auf Avantgarde und Politik am Beispiel der Fotografie 31 Museum, Avantgarden, Politik. Museumsleiter in der Weimarer Republik am Beispiel Alexander Dorners 49 Tanz zwischen Avantgarde und Klassischer Moderne: Anita Berber und Mary Wigman 67 Im Rausch der Revolution: Kunst und Politik bei André Masson und den surrealistischen Gruppierungen Contre-Attaque und Acéphale 89 Psychedelische Plakate in der Counter Culture der USA 111 Lenore Kandel: Not a Silent Chick 145 Action around the Edges 165 »Crossing Over« - ACT UP/fierce pussy. Kunst und politisches Engagement 185 Street Appeal: Dyke Action Machine! und der Look der Gay Liberation in den neunziger Jahren 203 Metamorphose des Pop? Beck Hansens Weg durch das Popuniversum 215 Kunst in der Öffentlichkeit. Versuch über die Grenzen des Erlaubten 231 Manifest: Gegen die feierliche Stille im Museumssaal 245 Autorinnen und Autoren 249 Backmatter 252
Record Nr.	UNINA-9910372789303321

Autore	Schneider Wolfgang
Pubbl/distr/stampa	De Gruyter, 201911
Descrizione fisica	1 online resource (291 Seiten)
Disciplina	700.411
ISBN	9783110657661
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Record Nr.	UNINA-9910765835503321

Pubbl/distr/stampa	Leuven : , : Leuven University Press, 2021
Descrizione fisica	1 online resource (272 p.)
Disciplina	700.9493 700.411
Altri autori (Persone)	ColardSandrine BoonsPieter
Soggetto topico	Kolonialismus Kunst Museum
Soggetto genere / forma	Electronic books.
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Record Nr.	UNINA-9910488738103321

Pubbl/distr/stampa	Leiden ; ; Boston : , : Brill Rodopi, , [2018]
Descrizione fisica	1 online resource (992 pages)
Disciplina	700.411
Collana	Avant-garde critical studies
Soggetto topico	Avant-garde (Aesthetics) - Scandinavia - History - 20th century Arts, Scandinavian - History - 20th century Popular culture - Scandinavia - History - 20th century
Soggetto genere / forma	Electronic books.
ISBN	90-04-38829-X
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Front Matter -- Copyright Page -- Preface -- Notes on Contributors -- Cosiness and Subversion – From Post-Cubism to Functionalism and “Scandinavian Surrealism” / Benedikt Hjartarson -- Paradigmatic Cases -- Introduction to Section 1 / Andrea Kollnitz -- Viking Eggeling and European Avant-Garde Cinema / Malte Hagener and Yvonne Zimmermann -- For Our Own Time – Negotiating Tradition, Modernity and the Avant-Garde at the Stockholm Exhibition 1930 / Andrea Kollnitz -- The Kjersmeier Collection of African Art, the Danish Avant-Garde and the Construction of Photographic Meaning / Wendy A. Grossman -- Alvar Aalto around 1930 – Between Modernism and the Avant-Garde / Eeva-Liisa Pelkonen -- Asger Jorn and Cobra – A Many-Headed Beast / Karen Kurczynski -- Legacies and New Directions -- Introduction to Section 2 / Benedikt Hjartarson -- Quosego – Final Blow, Starting Shot / Fredrik Hertzberg -- Surrealism in Denmark – Vilhelm Bjerke-Petersen’s Book Surrealismen, 1934 / Camilla Skovbjerg Paldam -- “Everybody must participate in everything” – Cross-Aesthetic Practices in and around the Danish Magazine linien (1934–1939) / Marianne Ølholm -- The Reception of the Halmstad Group in the 1930s / Helen Fuchs -- Smile at the World, and It Will Laugh at You – Helhesten’s Folkelig Avant-Garde / Kerry Greaves -- The Birth of a Vanguard – Icelandic Art 1940–1950 / Aðalsteinn Ingólfsson -- Scandinavian Women Artists and the Académie Moderne – Abstraction, Gender and the Nordic / Dorthe Aagesen -- Universal Language on National Ground – Otto G. Carlsund and Art Concret at the Stockholm Exhibition 1930 / Andrea Kollnitz -- Linien ii – A Local Avant-Garde Formation in Postwar Denmark / Jens Tang Kristensen -- Transmissions, Appropriations and Responses -- Introduction to Section 3 / Andrea Kollnitz and Harri Veivo -- To France with Love – Surrealism, Schadism, Situationism and Jens August Schade / Per Stounbjerg -- A Nordic Verfremdung – Bertolt Brecht’s Exile in Denmark, Sweden and Finland 1933–1941 / Rikard Schönström -- Merz in the Mountains: Peripheral Art in a Peripheral Landscape – On Kurt Schwitters’s Norwegian Exile and Artistic Production in Møre og Romsdal, 1937–1940 / Hubert van den Berg -- Rita Kernn-Larsen – An International Surrealist Career / Ulla Angkjær Jørgensen -- From Bauhaus to Bispebjerg – Edvard Heiberg and the Social Avant-Garde / Nan Dahlkild -- Corporeal Aesthetics – Primitivism and the Reception of African American Performing Arts around 1930 / Karen Vedel -- Trajectories, Circulations and Geographical Configurations of the Avant-Garde and Modernism in Finland, 1922–1939 / Harri Veivo -- Institutional Settings -- Introduction to Section 4 / Per Stounbjerg -- How Nordic Neue Sachlichkeit, Kulturradikalisme, Transformed Modernism into a Vernacular Avant-Garde / Michael Fjeldsøe -- The Engineer and the Avant-Garde – Concrete Artists in Sweden / Linda Fagerström -- Arne Korsmo, PAGON and “Meccano for the Home” / Espen Johnsen -- State-Controlled Avant-Garde? – Emil Bønnelycke’s Radiophonic Portrait of Copenhagen / Jacob Kreutzfeldt -- Nyrki Tapiovaara – Between Avant-Garde and Mainstream Cinema / Kimmo Laine.
Record Nr.	UNINA-9910494596103321